
Format: FLAC | 899 Kbps
Album: Yourself Or Someone Like You
Artist: Matchbox 20
Genre: Alternative Rock
Date/Year: 1996


In this comedy-drama Cece is the pretty, grownup daughter of a former 1970s "blaxploitation" movie sexpot, and when she tries to carve out her own fledgling acting career she vows that she won’t become famous by taking all her clothes off, the way her mother did. But straightaway Cece is cast in a small-time screen drama playing a painter’s model–and the role calls for extensive nudity. Will she or won’t she strip for the (male) director, the (male) screenwriter, and their cameras? First-time filmmaker Davis was obviously working with a budget hardly bigger than Cece’s film-within-a-film, and some gaffes slip through in the production values. But it’s also a sly feminist farce that addresses the hypocrisy surrounding the last taboo in cinema: keeping your clothing on.
Language: English
1.46 GB | 01:27:48 | 2249 Kbps | avc1 | 1920×1080 | mp4a-40-2, 48 Khz, 2 channels



Lincoln, who’s not yet 18, leads a straight life most of the time: he has a girl friend, goes to dances, jokes with guys. But he also has a secret life, in which he’s drawn to dark places where he has sex with men he doesn’t know. One night, while visiting a gay video arcade, he connects with John, a Vietnamese-born gay man, in his 20s probably, whose father was an African-American US soldier. John invites Lincoln to spend some carefree time with him, and Lincoln takes him to his father’s boat. John then convinces Lincoln to take the boat into the Mississippi delta, where setting off some fireworks out of season precipitates betrayal and revenge.
Language: English
1.4 GB | 01:24:01 | 2249 Kbps | avc1 | 1800×1080 | mp4a-40-2, 48 Khz, 2 channels




The wife and mistress of a cruel school master collaborate in a carefully planned and executed attempt to murder him. The plan goes well until the body, which has been strategically dumped, disappears. The strain starts to tell on the two women as a retired police investigator who is looking into the disappearance on a whim begins to think that they know more than they are telling, and their mental state is not helped when their victim is seen, apparently alive and well by one of the pupils.
Language: English
4.82 GB | 01:47:16 | 6427 Kbps | V_MPEGH/ISO/HEVC | 3840×2160 | Lavc59.48.100 libfdk_aac, 48 Khz, 6 channels

As children, Lorenzo Carcaterra – Shakes to his friends – Michael Sullivan, Tommy Marcano, and John Reilly were inseparable. They grew up in Hell’s Kitchen, a far from perfect neighborhood, one filled as Shakes says with scams and shake downs, but one where the rules were known and easily understood by its residents. The one adult who they admired was Father Bobby Carelli, who understood them as kids more than most adults and more than he himself would like to admit. In 1967, their lives would change forever when a typical teenage prank went wrong which led to the four of them being sentenced to various terms at Wilkinson Home for Boys, a reformatory. There, they were physically, emotionally and sexually abused primarily by Sean Nokes, the predatory lead guard of their cell block, and fellow guards Ralph Ferguson, Henry Addison, and Adam Styler, although there were other decent figures of authority at the home, including a few other guards. Their time at the home affected the four, not all who were able to emerge from the experience to regroup their lives. In their want to forget about the experience, they made a vow not to talk about it either between themselves or with others. Fast forward thirteen years, with Tommy and Johnny being career criminals, Michael an assistant district attorney and Shakes a newspaper writer, their friendship on the surface more loose than it was when they were children. When Tommy and John unexpectedly spot Nokes at a local restaurant, it leads to Shakes and Michael banding together to exact revenge not only on Nokes but all four of the guards who abused them. Michael had long mapped out a plan even before Tommy and John saw Nokes, but that sighting and its aftermath alters the plan. Beyond the precarious position Tommy and John place themselves into, Michael has the most to lose even if the plan succeeds. Most of the plan implementation is left to Shakes who has to enlist the machine of Hell’s Kitchen, including mob boss King Benny, and their childhood friend, social worker Carol Martinez, who currently is John’s girlfriend. Beyond co-opting aging lawyer Danny Snyder, who admits he may not be the best choice as an alcoholic who is no longer near the top of his game, the plan is threatened by a key piece, the need for an unreproachable figure to perjure him or herself, that person who Michael and Shakes hopes will be Father Bobby. Father Bobby, even if he knew of the abuse, may not be able to do his friends this enormous favor of an illegal nature, he who has to balance the morality of the situation in his own mind in deciding what to do.
Language: English
6.87 GB | 02:27:39 | 6659 Kbps | V_MPEGH/ISO/HEVC | 3840×1608 | Lavc59.48.100 libfdk_aac, 48 Khz, 6 channels